Thursday, August 30, 2007

Conviction in a Speech Blog

That kind of speaking wins, and it is that virile, strenuous, aggressive attitude which both distinguishes and maintains the platform careers of our greatest leaders.

But let us look a little closer at the origins of inner force. How does conviction affect the man who feels it? We have answered the inquiry in the very question itself--he _feels_ it: _Conviction produces emotional tension_. Study the pictures of Theodore Roosevelt and of Billy Sunday in action--_action_ is the word. Note the tension of their jaw muscles, the taut lines of sinews in their entire bodies when reaching a climax of force. Moral and physical force are alike in being both preceded and accompanied by in-_tens_-ity--tension--tightness of the cords of power.

Tuesday, August 28, 2007

Public Speaking Success Blog

Of course, all this is not to say that in the natural pauses of your speech you are not to take swift forward surveys--they are as important as the forward look in driving a motor car; the caution is of quite another sort: _while speaking one sentence do not think of the sentence to follow_. Let it come from its proper source--within yourself. You cannot deliver a broadside without concentrated force--that is what produces the explosion. In preparation you store and concentrate thought and feeling; in the pauses during delivery you swiftly look ahead and gather yourself for effective attack; during the moments of actual speech, _SPEAK--DON'T ANTICIPATE_. Divide your attention and you divide your power.

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Monday, August 27, 2007

Inflections in Public Speaking Blog

This most expressive element of our speech is the last to be mastered in attaining to naturalness in speaking a foreign language, and its correct use is the main element in a natural, flexible utterance of our native tongue. Without varied inflections speech becomes wooden and monotonous.

There are but two kinds of inflection, the rising and the falling, yet these two may be so shaded or so combined that they are capable of producing as many varieties of modulation as maybe illustrated by either one or two lines, straight or curved.

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Saturday, August 25, 2007

Suspense in a Speech Blog

Suspense is responsible for a great share of our interest in life; it will be the same with your speech. A play or a novel is often robbed of much of its interest if you know the plot before hand. We like to keep guessing as to the outcome. The ability to create suspense is part of woman's power to hold the other sex. The circus acrobat employs this principle when he fails purposely in several attempts to perform a feat, and then achieves it. Even the deliberate manner in which he arranges the preliminaries increases our expectation--we like to be kept waiting. In the last act of the play, "Polly of the Circus," there is a circus scene in which a little dog turns a backward somersault on the back of a running pony. One night when he hesitated and had to be coaxed and worked with a long time before he would perform his feat he got a great deal more applause than when he did his trick at once. We not only like to wait but we appreciate what we wait for. If fish bite too readily the sport soon ceases to be a sport.

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Thursday, August 23, 2007

Tempo in Public Speaking Blog

The realistic story-writer understands this in writing dialogue, and we must take it into account in seeking for naturalness through change of tempo.

Suppose you speak the first of the following sentences in a slow tempo,the second quickly, observing how natural is the effect. Then speak both with the same rapidity and note the difference.

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Wednesday, August 22, 2007

Methods of Expression Blog

The necessity for changing pitch is so self-evident that it should be grasped and applied immediately. However, it requires patient drill to free yourself from monotony of pitch.

In natural conversation you think of an idea first, and then find words to express it. In memorized speeches you are liable to speak the words,and then think what they mean--and many speakers seem to trouble very little even about that. Is it any wonder that reversing the process should reverse the result? Get back to nature in your methods of expression.

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Tuesday, August 21, 2007

Using ephasis blog

Strongly emphasizing a single word in a speech has a tendency to suggest its antithesis. Notice how the meaning changes by merely putting the emphasis on different words in the following sentence. The parenthetical expressions would really not be needed to supplement the emphatic words.

_I_ intended to buy a house this Spring (even if you did not).
I _INTENDED_ to buy a house this Spring (but something prevented).
I intended to _BUY_ a house this Spring (instead of renting as heretofore).
I intended to buy a _HOUSE_ this Spring (and not an automobile).
I intended to buy a house _THIS_ Spring (instead of next Spring).
I intended to buy a house this _SPRING_ (instead of in the Autumn).

Thursday, August 16, 2007

Persuasive Public Speaking Scoops

Man, what you need is not sympathy, but a push. No one doubts that temperament and nerves and illness and even praise worthy modesty may,singly or combined, cause the speaker's cheek to blanch before an audience, but neither can any one doubt that coddling will magnify thisweakness.

The victory lies in a fearless frame of mind during a speech. Prof. Walter Dill Scott says: "Success or failure in business is caused more by mental attitude even than by mental capacity." Banish the fear-attitude;acquire the confident attitude. And remember that the only way to acquire it is--_to acquire it_.

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Wednesday, August 15, 2007

THE ART FORM OF PUBLIC SPEAKING UPDATE

Nothing advertises itself so thoroughly as conceit during a speech. One may be so full of self as to be empty. Voltaire said, "We must conceal self-love." But that can not be done. You know this to be true, for you have recognized overweening self-love in others. If you have it, others are seeing it in you. There are things in this world bigger than self, and in working for them self will be forgotten, or--what is better--remembered only so as to help us win toward higher things.

The trouble with many speakers is that they go before an audience with their minds a blank. It is no wonder that nature, abhorring a vacuum,fills them with the nearest thing handy, which generally happens to be,"I wonder if I am doing this right! How does my hair look? I know I shall fail." Their prophetic souls are sure to be right.

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Tuesday, August 14, 2007

Fear Of Public Speaking Update

AFTER-DINNER AND OTHER OCCASIONAL SPEAKING

In conversation avoid the extremes of forwardness and reserve.


--CATO.


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Monday, August 13, 2007

Resources In Public Speaking

INFLUENCING BY DESCRIPTION

Like other valuable resources in public speaking, description loses its power when carried to an extreme. Over-ornamentation makes the subject ridiculous. A dust-cloth is a very useful thing, but why embroider it?Whether description shall be restrained within its proper and important limits, or be encouraged to run riot, is the personal choice that comes before every speaker, for man's earliest literary tendency is to depict.

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Friday, August 10, 2007

Persuasive Public Speaking Scoops

CHAPTER XI--FLUENCY THROUGH PREPARATION

At first blush it would seem that fluency consists in a ready, easy use of words. Not so--the flowing quality of speech is much more, for it is a composite effect, with each of its prior conditions deserving of careful notice.